I think Brian Peterson in his book "Understanding Exposure" says it well. To paraphrase: Sometimes the photographer wants to tell a story with a beginning, a middle and an end. That calls for narrow apertures and large depth of field. Other times the photographer is looking for a singular theme and uses wide open lenses and very narrow DOF to block distractions. Finally there are times when the photographer doesn't care -- the "f/8 and be there" mantra of old news photographers.
All three methods have their place.
There is no rule that says you have to like what the photographer produces.![]()



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